A Kitchen in your Calendar

is an ongoing recipe book-as-calendar project which compiles year-long collaborations in food, sound, and drawing between Hannah Sofia Eriksson and Yasmine Whaley-Kalaora.

Now on it’s second year, launching as part of CLAM at OHCE-ECHO, this publication is a calendar (for 2027), a recipe book (for later), and a reason to cook with friends (always).

2027 edition (forthcoming, Nov 28, 2026):
Recipes: Hannah and Yasmine
Degisn: Cody Marian and Lula Christman

2026 edition:
Recipes: Hannah and Yasmine
Design: Joni Schinkel

(2025)

^ Photo: Joni Schinkel

^ Photo: Jesse Gotfrit

CLAM

(Cinema, Literature, Art, Media)
is an intermittent inter-media project series.

Centering film, readings, performance art, experimental sound works, and the occasional supper club, CLAM is a responsive practice which provides space for, and brings attention to, local hybrid works.

Initially conceived as a curatorial project in 2022, over the last two years CLAM has become integrated into my own work both as a practice of hosting and through active collaborations.

Recent events:

2025

Hannah Sofia Eriksson and Yasmine Whaley-Kalaora, A Kitchen in your Calendar, launch of a 2026 recipe book-as-calendar, OHCE-ECHO (October 25th)

 Cathy Busby, I WONDER: Art + Care + Dementia, book launch and artist talk, Bestway Studio (August 5th)

 SAMOS Supper Club and Yasmine Whaley-Kalaora (live sound), Dreaming Mid-Summer, themed four-channel sound installation and fine dining collaboration, Green Auto (July 19th)

 Margaret Dragu, New Normal: an embodied novel, screening of 13 part series with publication launch and artist talk, Bestway Studio (April 3rd)

2024

Jelena Markovic and Emily Lawson, Relative Absence, screening of Markovic’s small file film “Heart Rate” (2024) with live poetry readings, Bestway Studio (August 28th)

SAMOS Supper Club, Spring Up!, curated short films and fine dining collaboration, Green Auto (May 21st)

David Rimmer Deep Cuts, screening of shorts by David Rimmer with artist talk by Sara Butterfield, Bestway Studio (April 30th)

Chipo Chipaziwa, Redressing ‘ne/mi-mesis (2019),’ live performance and screening, Bestway Studio (February 20th)

For more see @_c.l.a.m_

(2022-)

RWFFS

An installation and performance by another “reader, writer, former figure skater.”¹

Video performance can be seen here.

Accompanying publication, edition of 16, can be seen here. 

Exhibited alongside works by Christy Nyiri and Robert Pedersen for Doric, Ironic, Corinthian (OHCE-ECHO, Vancouver)

1. a nod to Food 4 Thot podcast host Denne Michele Norris. Text written by Kiel Torres + Christian Vistan.

(2025)

^ Photos: Rachel Topham Photography

(2021)

Sculptures

various sculptural works, including:  

mended panels series (2022- )

glass casts series (2024 - )

untitled, board (2025)

(2022- )
 

split-lip-glue-seam

in collaboration with Derya Whaley-Kalaora.

This piece is a collaborative audio/dance work which came out of box-time and time-spent with my sister, performed at Boombox over three nights in December. The audio was created only from sounds we gathered/made in the box, each performance worked off of a score while incorporating elements of live recording/mixing. 

Recording from night three ---->

(2024)